The Life and Death of Colonel Blimp
Sincerely the maximum top notch movie ever to take idea from a tabloid comedian strip, the lifestyles and loss of life of colonel blimp is a struggle film that spans three wars yet by no means without a doubt suggests any combat, approximately two profession navy men on contrary facets who by some means stay lifelong friends. For the most part the film stays in blighty, where the british clive wynne-candy and prussian theo (the ever-transforming roger livesey and anton walbrook, each surprising) return from the boer struggle, see out the end of the exceptional conflict and locate themselves respectively an antique soldier out of time and an alien fleeing the nazis on the outset of wwii.
Colonel blimp is many things. It gloriously satirizes its plummy, proper milieu and mournfully charts that length’s passing into records. It’s about how war within the first half of of the twentieth century misplaced its jingoistic enchantment and taken about great political exchange, how warfare is cyclical and too often born out of stubborn pride, about developing out of speeding idealism into cynical antique age, approximately obsessive love (there’s a vertigo-esque function for deborah kerr, who plays a one of a kind item of love for sweet in each timeline). Chiefly, it’s a wwii-technology film with the aid of an englishman and an austro-hungarian that emphasizes humanism over nationalism, powered by means of stated pair’s ahead-of-their-time inventiveness. Few films have ever tried to mention and be a lot, and succeeded in pronouncing and doing all of it with such panache, lightness and wit.